It’s the final week of shorts and already the last week of July.
It’s been an awesome July, watching my son play football unexpectedly well (my kid is good at sports but last year he wasn’t ready to run the ball until the last game), soaking up the greenery of the world at this time of year, and the week I took off to take my son to robotics camp where I got a ton of reading done and pushed myself to get back into some sort of writing. It has been a challenge with all the changes at work and the busy of summer to focus on creative things, but the week off with some time to myself seemed to help.
As far as shorts are concerned, this of course was a rabbit hole. So many collections to read and explore and admire. I could have done two months plus of shorts with what I had in my collection still, but I wanted to be sure I got through the BookRiot books for this year, too. I spent my reading time doing both during my rides back and forth to Albany and my pillaging a library out there while he was at camp.
There was a Starbucks trip but the books were better at the library.
Trigger Warning: Short Fictions and Disturbances, Neil Gaiman
A collection of short works by Neil, a few were poetry, a few were like fairy tales, a few were the typical short stories/science fiction/fantasy some with characters borrowed from other places. I thankfully listened to the forward in which he talks about how this collection hangs rather loosely together and where they are from. The title of Trigger Warning is to suggest that these pieces are united by hopefully getting the reader to feel about the works presented. He talks about trigger warnings on things on the internet now and his wanting people to read about things that will make them think and feel, stir them up a bit, learn from them, even if the experience is intense. I have seen others have conflicting views on trigger warnings, believing them to not be valuable things. I probably am mixed, there is enough trauma in this world to give people the warning that they can avoid encountering something that makes them feel triggered or unsafe. It can be a way of rebuilding a sense of safety.
You’d think the writings would be a little more provocative with that kind of title, and the stories are good, and thought provoking, and like the blurb promises, “talks about who we are behind the mask”, but they aren’t over the top or super edgy. This is only my third work I have read by Gaiman but it seems to be in keeping with his other works, thought provoking, interesting, but not too edgy. Things wouldn’t have made as much sense without the forward, however, I am in a bit of a slump about being confident in my writing and he talks about all the commissions and accolades the collected works have gotten. Not that I ever thought I would be Neil Gaiman, but it was a pretty strong reminder that I was not put on this earth to be Neil.
I liked his fairy tale like stories the best, like the layers he added to the Sleeper and the Spindle, and the stories where there are murderous plots afoot. I keep thinking about the story were a dwarf is led to a cave of treasures and what he finds there. It was difficult having him narrate the entire book in terms of keeping track of the beginning and ends of stories. In Memory Wall there were different narrators for different stories and the end of one story was announced and the beginning of another, which was helpful. It got confusing especially in Calendar of Tales, which would have been even more confusing without the forward, due to them being shorts. Not that Gaiman cannot do a lovely job of narrating stories in his British accent and emphasis in all the places that he intended. He absolutely can do that. And he didn’t have the weird ending to stories like Oyeyemi where I felt left in the lurch, like I was still missing something. Neil Gaiman is an artist and I need to read American Gods and his other stuff. T.B.R.
Tenth of December, George Saunders
A collection of true to life stories that are hilarious but still manage to say important things, grab and move a reader.
I loved Lincoln in the Bardo, but I felt that that book would not have been accessible in the book format, more over audio, so that is a part of the reason I got this lovey on audio. It’s definitely not like Lincoln in the Bardo, but that doesn’t make it any less brilliant. I have seen in advertised all over my bookish life but I had no idea how laugh out loud funny this would be along with it’s poignancy. I was driving my kid to robotics camp an hour away and laughing out loud. I have seen in the reviews that it’s hilarious, but I don’t always see the hilarity that other readers see, but this time I did. Wow. It was all at once sad, poignant, funny, and moving. He captured the streams of consciousness that can be heartbreaking as well as just who we are as humans in our every day lives.
Probably my favorite story is the one where the young man who has helicopter parents and a healthy case of tourettes has to make a decision about doing the right thing in a scary situation. The way the child thinks is funny but the conflict he comes across in the narrative is also very real. I think it’s a common conflict of teens after years of being told what to do, when all of a sudden they are placed in situations where they need to start acting on their own and what that transition is about, especially when they are in a world that does not allow them autonomy. And that was just the opener, the rest of the stories tumbling out in their surprising hilarity after.
It wasn’t, as one Amazon reviewer put it, typical New Yorker fiction about white rich people and angst. All of these were very real. And I can’t say enough about how funny they were too. I was surprised by the humor that he could put into genuine, real situations.
I am tagging this post also as audio masterpieces because the author narration significantly added to the experience of both of these books.
Two excellent collections of shorts to take in, to finish off the eight I did for this blog series.
Back to BookRiot for August! The year is already growing short!